Movie Girls with a Gun blog is dedicated to understanding the conflicted yet attractive elements in popular cinema's representation of women. Dames with Derringers, Babes with Bazookas, and other Women toting Weapons, provide a perfect lens for inquiry into film enthusiasts' desire for these discordant depictions. We count ourselves among the biggest fans.
"All you need for a movie is a gun and a girl." - Jean-Luc Godard 1991

Tuesday, December 27, 2011

All You Need to Make a Movie is a Girl and a Raygun

Girls with Guns blog is back after a hiatus.  No better reason to come back than to start talking about a most delightful sub-sub-sub-genre of girls with guns than the imaginative imagery of steampunk girls with their fantastic and improbable guns.  It is our contention that any genre that has girls in it will eventually have a girl with a gun.  But what about Jane Austen, you ask?  Jane Austen wrote about young ladies --- see how that works?

For those who have not encountered steampunk yet, it is a lively off-shoot of science fiction in which an alternate timeline follows the Victorian technology of steam power to its fullest development.  Think Jules Vern, or the great 60s TV show "Wild Wild West," and you've got the picture. 

Steampunk cuties will be dressed up as neat  goggled steam flight aviatrixes, or cyborgs in 19th Century bustles and petticoats.  Whatever their guns shoot, the operant metal color will be copper.  This is a time that never was, and choice girls with guns who will never be, except doing cosplay at a steampunk convention, maybe.  Or if you are really lucky, lacing up a steampunk corset in your boudoir.

Check out this video for some great examples...

Wednesday, March 2, 2011

Rootin', Tootin'....Shootin'? Cowgirls with Guns

What's more iconic than a Hollywood cowgirl?  Is she a myth, or does she have some basis in fact?  For a time, since about the 1920s, the idea was floated that cowgirls, like the unicorn, may never have existed.  This rumor was traced back to an anonymously written piece in a midwestern newspaper claiming that real women in the American west wouldn't have been caught dead forsaking their petticoats to ride around roping heifers.  Since then, historians, documentarians, and ethnographers have worked to correct that misperception.

Dale Evans (with gun) & Roy Rogers
According to Teresa Jordan (Cowgirls: Women of the American West ), the definition of cowgirl is, "women who work outside, on ranches, or in the rodeo on a regular basis."  Cowgirls are not typically ranch wives who work primarily in the home.  Jordan says they can also be from the long tradition of mother-daughter ranching teams, or wives who ranch as equal partners to their husbands.

Another student of cowgirl history, Mary Lou LeCompte (Cowgirls of the Rodeo: Pioneer Professional Athletes), also gives a strong argument for rodeo riding cowgirls being the first female pro athletes widely accepted by the public.  Rodeo cowgirls also intersect the Hollywood representation of cowgirls in the movies, because they were hired by producers to do any riding or stunts for female actors in Westerns.

All of this, of course, is very interesting.  But the main issue for our Girls with a Gun blog is did any of these cowgirls pack heat?  Turns out, not many of them did, which is why handling a gun was not central to the above definition of cowgirl.  This comes as a little bit of a surprise, because none of us imagines the iconic cowboy without his six-shooter.

This is not to say that there are not a few outstanding examples of real Wild West girls with guns.  Everyone interested in cowgirls knows about the singular career of Annie Oakley as a trick-shot markswoman in Buffalo Bill Cody's traveling wild west shows of the 1860s.  Outlaw women of the same period like "Bandit Queen" Belle Starr, while strictly speaking were not cowgirls, were also known for shootin' things up.  Belle was in the top criminal class of the time by virtue of hanging out with uber hoodlums like Jesse James and the Younger brothers.

Show biz was a home for both real and make-believe performing cowgirls.  Hollywood films eventually superseded earlier representations of cowgirls found in wild west shows, wide circulation tabloid newspapers like "The Police Gazette," and "penny-dreadful" cheap novelizations.  Most of the cowgirls in film were either singers, like Dale Evans, or trick riders like Reno Browne and Nell O’Day.  Dale Evans, strangely enough, made a killing licensing her name along with partner Roy Rogers to toy gun manufacturers in the 1940s and 50s.

But in a mirror of real life, cowgirls with guns were mostly of the desperado variety.  Donna Matrazzo, producer of the documentary "Reel Cowgirls,"  tells us that cowgirls occupied the "in betweens" of our changing consciousnesses about the social rolls of women.  Matazzo says, "Cowgirl characters might be soft and feminine in one scene ... yet audacious, quick-witted and bold in another."  Screen cowgirls would often be mediators in disputes between dueling men, even if they had to pull out a gun themselves to settle things.

Girls with a Gun Blog had much fun reviewing Western genre films about cowgirls toting guns.  We recommend checking out "The Quick and the Dead" (1995) where Sharon Stone as a gunslinger faces off in a duel.  Also look up "Bad Girls" (1994) with Drew Barrymore and friends as  prostitutes turned gun-happy outlaws.  Last but not least, treat yourself to the unbelievably campy black and white "The Dalton Girls" (1957).  From it we have the absolutely hilarious and perfect clip of one of the Dalton gals serenading her gun!

Wednesday, January 12, 2011

Ballistic Cheesecake: Tactical Girls with Guns

We realize that our perceptual vigilance regarding Girls with Guns is more active than most people's. But we're darned if we don't see these pistol-packing babes everywhere. They are in movies and magazines, video games, and comic books. One of our favorites is a Girls with Guns crossover into pinup calendars called TacGirls.

The origin of the pinup is either ancient or more recent history, depending on whom you consult. Her arrival on the scene is thought to be anytime between cave drawings as decorative art to racy postcards decorating early 20th century doughboys' barracks.

We will draw the line at the ability of the viewer to actually pin the image up, as opposed to hanging it as an art canvas or integrating it with architecture as a fresco. We also think the ephemeral aspect of the image is also integral to the definition of a true pin-up. Whether it's a Gibson Girl beauty clipped out of a magazine, or a Vargas girl on a 1940's calendar, the throw-away nature of the image is key.

The degree of smuttiness is also a factor. Pinups range from kinky bondage, such as Irving Klaw's photographic work with Betty Page, to the innocent gee-whizz cheesecake honeys of The Saturday Evening Post's Gil Elvgren.

Which brings us back to TacGirl's calendar. Those of you, like us, who love a girl with a gun, should check out this website (and/or their booth at the national gun shows) for some great contemporary Girls with Guns pinups. Admittedly, it is a bit of a toss-up as to whether it's the guns or the scantily clad models who provide the bigger thrill for TacGirls calendar's producers. But we get the feeling it's the girls who are the accessories in photos cataloguing an incredible, almost science fiction, array of high-tech rifles.

Besides TacGirls touting themselves as connoisseurs of fine firearms, providing a display not unlike high-performance car catalogues, they also claim not to show any more skin than the cover of the average women's fashion magazine. Keeping their artwork in such prim parameters, without use of direct sexuality, qualifies them as producers of "ballistic cheesecake."